Overview

The 1955 Exhibition


This article is pending research. A Phase 1 investigation will populate it.

Visitors at a Family of Man installation, captioned 'Opening Day'
Installation photograph from a Family of Man tour venue, captioned “Opening Day.” The shot comes from the USIA's photographic record of the show's traveling editions, not the 1955 MoMA opening itself.U.S. National Archives · DPLA · Public domain

Opening

The exhibition opened at the Museum of Modern Art in New York on 24 January 1955. It was the culmination of nearly three years of work by Edward Steichen, then Director of MoMA’s Department of Photography.

Installation

The galleries were designed by architect Paul Rudolph.

A layout view of a Family of Man exhibit installation
Installation layout of a Family of Man tour venue, documenting the traveling re-fabrication of Rudolph's original design.U.S. National Archives · DPLA · Public domain

Catalog and prologue

The exhibition was accompanied by a catalog published by MoMA, with a prologue by Carl Sandburg (Steichen’s brother-in-law).

Schoolchildren viewing The Family of Man
Schoolchildren viewing a tour-edition installation. The exhibition was seen by some 9 million people across 91 venues from 1955 to 1962.U.S. National Archives · DPLA · Public domain

The author of the exhibition

Edward Steichen self-portrait, 1901
Edward Steichen, self-portrait, 1901 (gum print). The Luxembourgish-born photographer was Director of the Department of Photography at MoMA from 1947 to 1962.Edward J. Steichen · Public domain (PD-old)

For Steichen’s life — birth in Bivange, the Naval Aviation Photographic Unit, the 1963 White House meeting with Grand Duchess Charlotte, and the 1964 donation of the exhibition to Luxembourg — see the Steichen memorial.

Reception

See the Reception article.

Perspective note The exhibition's curatorial framing — that photographs can document "the essential oneness of mankind" — has been the subject of sustained critique since Roland Barthes' 1957 essay "The Great Family of Man." Any summary here must acknowledge both the show's self-presentation and its critical reception.
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