Untitled
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Catalog notes
Checklist #476, Section 42 CHILDHOOD MAGIC. American, 14 x 14 1/2 cm. Third Barbara Morgan plate in the checklist; count verified by grep this session against two prior plates at photo-0173 (#181, USA, Section 16 Work B, American, 18 x 23 cm) and photo-0237 (#247, USA, Section 22 Folk Music, American, 27 x 20 cm). All three Morgan plates set in the USA and credited American — fully consistent attribution. The PDF page 25 image (read this session) prints the entry verbatim as ‘476 U. S. A. Barbara Morgan, American 14 x 14 1/2’. The ‘Morgan, 1900-1992, best known for dance photography especially Martha Graham collaborations 1930s-40s’ biographical line on photo-0173 is NOT re-verified against any fetched source this round per CLAUDE.md anti-confabulation policy and remains a flagged out-of-scope cleanup item parallel to the photo-0068 / photo-0105 pattern. Final row in this batch; the next plate (#477 — U. S. A., Don Ornitz, American, 13 7/8 x 17 3/4 cm — visible on PDF page 25 immediately below this row) falls to the next batch. Batch arithmetic: the issue requested rows for checklist range #452-#476 inclusive; that range contains 25 numbered slots with no missing numbers and no letter-suffix supplements = 25 new rows in this batch (photo-0437 through photo-0461). The structural milestones in this batch: UNLABELED BRIDGE GROUP between Section 39 FACES and Section 40 BOMB runs #452-#455 (photo-0437 through photo-0440, no printed section header, mapped to sec-hardship-suffering-war as structural inference per Bertrand Russell H-bomb caption + Sophocles slayer/victim caption + Eniwetok/US Coast Guard nuclear-test-area context); SECTION 40 BOMB at #456 only (photo-0441 — the H-BOMB PLATE, Atomic Energy Commission, Marshall Islands, 96 x 120 cm — narrative climax per src-moma-archives-highlights-1955); SECTION 41 COUPLES runs #457-#464 (photo-0442 through photo-0449, mapped to sec-rededication-future as approximate cluster fit per the post-Bomb ‘new life’ renewal arc); SECTION 42 CHILDHOOD MAGIC runs #465-end (this batch covers #465-#476 = photo-0450 through photo-0461, mapped to sec-rededication-future as approximate cluster fit; the section continues onto page 25 footer ‘(continued, page 26)’ so subsequent batches will continue Section 42). WALK-TO-PARADISE-GARDEN MILESTONE: a fourth W. Eugene Smith plate has NOT appeared in this batch through #476; per the issue brief, the canonical closing plate (Smith’s A Walk to Paradise Garden, 1946) at large dimensions is to be flagged when encountered — none of the #465-#476 plates are credited Smith, so this milestone falls to a later batch covering #477+. EUGENE HARRIS RECURRING PATTERN: no #11G appears in this range (the printed checklist on PDF pages 24 and 25 read this session contains no ‘11 G’ entry within #452-#493); the prior 6 occurrences (#11A-#11F) remain the catalog total through this batch. NO INVENTION per CLAUDE.md (cf. lessons from PRs #58, #61, #65, #67, #69, #71, #73, #75). Section 42 CHILDHOOD MAGIC mapped to sec-rededication-future per photo-0450 note (approximate, not canonical).
src-moma-exh-0569-master-checklist